The Scottish Ensemble review – singular sounds from an ever-adventurous string orchestra

Milton Court, London
A contemporary piece by David Fennessy is framed by JS Bach and Arvo Pärt in a show characterised by uncanny sounds and ghostly chorales

It’s not every day a concert promises “Bach & Blood”, nor delivers it so thoroughly. There were no massacres from the Scottish Ensemble, mercifully, just a characteristically singular bit of programming from this ever-adventurous string orchestra that framed Irish composer David Fennessy’s 2024 Blood with music by Bach and Arvo Pärt.

On 7 July 1720, while JS Bach was away in Carlsbad, his wife Maria Barbara died suddenly, buried before he could return. She was just 35. “Sei solo” – you are alone – the composer wrote at the top of his collection of Sonatas and Partitas for Solo Violin completed soon after. A slip of pen, misspelling “Sei Soli” (six solos), or a deliberate play on words? The intensity of the works – particularly the monumental 15-minute D minor Chaconne, with its weeping chromatic theme – suggest the latter.