Sean Shibe: Vesper review – ever imaginative guitar virtuouso brings mind-expanding flights of fancy

(Pentatone)
This thoughtfully curated programme of work by three British composers explores the guitar’s expressive potential, and new arrangements of Harrison Birtwistle’s piano originals are a revelation

On his new album, Sean Shibe surveys the guitar’s expressive potential through the lens of three British composers. There are interlocking themes here – Spain, 20th-century painters, antique musical forms – but this thoughtfully curated programme can be equally enjoyed piece by piece as a series of mind-expanding flights of fancy.

Thomas Adès’s Forgotten Dances pays homage to the baroque dance suite, the composer’s quirky titles imbuing traditional forms with an additional imaginative layer. Overture, Queen of the Spiders, for example, combines stately harmonics with sneaking slides and the occasional pounce (“fatal for the fly!” in the composer’s words). Barcarolle – The Maiden Voyage is a nostalgic lapping gymnopedie; Carillon de Ville a pealing tribute to the guitar-playing Hector Berlioz. In Vesper (for Henry Purcell), Adès reimagines the consolation of the older composer’s Evening Hymn. Shibe’s playing throughout is acutely articulate and technically impeccable.