Aleksander Radivojevic is best known as a co-writer for A Serbian Film. That film is infamous for its brutal portrayal of Serbia, pulling no punches, and becoming so dark the contents of the film became a meme in and off itself. Karmadonna, his directorial debut, won't have the same reception, even though it also is quite the dark thrill ride. But seeping in are some of the magical-realist touches and heady fantasy elements of the other film Radivojevic wrote, Tears For Sale, an epic fantasy about professional funeral mourners. Like A Serbian Film and Tears For Sale before it, the central premise is its unique selling point for better or worse. The problem here is that giving away the entirety of the premise, even though...
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