Refraction and separation are the key elements in the CREATE's release poster for Andrey Zvyagintsev's superb festival prize-winner, Minotaur. There are some echoes and rhymes with the design work of Akiko Stehrenberger, specifically the remake of Funny Games, one of the best posters of the 21st century. There are no tears, however, for this is scathing and cynical critique of Russia in the guise of an infidelity drama, however the typography, the credit block, and the colour palette all track. If you are going to borrow, borrow from the best. (Note also, Minotaur is also a loose and re-contextualized remake of Nouvelle Vague filmmaker Claude Chabols' La Femme Infidèle.) One of the films key visual motifs is to put its lead characters behind glass. Their modern minimalist home, the corner office, and...
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