Turning a maybe not quite beloved but certainly important cult object like 1978's faux-snuff/faux-documentary Faces of Death into a multiplex-friendly narrative film with aspirations of taking on major social media companies is no small endeavor, creatively or culturally. That's part of why it's taken director/co-writer Daniel Goldhaber and co-writer/producer Isa Mazzei's new Faces of Death almost two full years to make its way to public screens after being completed in early 2024. So when I had the chance to sit down with the creatives, there was a lot I was curious about. With Faces of Death in particular, and within the context of their other films, another of which similarly brought a more obscure source to larger audiences, and all of which seek to say...
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