Simon Glassman’s Buffet Infinity is one of those movies that defies categorization and can’t be easily pigeonholed. Technically, it’s a found-footage movie; but it’s also, in a way, a screenlife movie. But then again, it’s gloriously retro and ignores modern technology altogether. That’s when writing about it becomes a challenge, even for seasoned film writers who think they’ve seen it all – until something like this comes along. Buffer Infinity is a horror movie. It’s about a small town being swallowed up by some sort of otherwordly cult. It’s a tale of cosmic horror, and it’s told entirely through fictional news clips and cheap commercials, the kind you might see on public access or regional affiliates, especially during the 80s and 90s. ...
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