Dramedy is one of the hardest things to get right because the margin for failure is brutal. If the comedy gets too cute, the pain starts feeling fake. If the sadness gets too heavy, the wit starts feeling like self-defense on the part of the screenplay instead of something alive inside the characters. And when acting is weak, dramedy dies first. You can hide a lot in a broad comedy. You can hide a lot in a straight melodrama. In a dramedy, the actors have to make contradiction feel natural. They have to be funny while bleeding.


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